How is a vocal recital like a gourmet dinner? Let me count the ways.
When The Singing Chef plans dinner, she contemplates in advance the nature of the guests she will be serving; she gives serious thought to serving a variety of courses which will complement one another; she aims for contrasts of color, texture, and flavor, she researches recipes; she includes something familiar along with things that might be unfamiliar to the guests; she avoids cliches; and above all she want to send her guests home sated and satisfied.
So might an astute artist of the vocal persuasion give thought to the sophistication of his/her audience, the balance of selections, the inclusion of the familiar with the novel. Such was the case at the Manhattan School of Music last Tuesday when bass Colin Ramsey gave his graduation recital. Having heard Mr. Ramsey sing last year I knew this was a recital not to be missed, in spite of a couple very attractive vocal alternatives. (Oh, if only I could clone myself!)
Ramsey opened with two arias by Jean-Baptiste de Lully which showcased his acting skills as well as his vocal chops. There was a marvelous contrast between the humorous and the serious. Two arias from Handel’s Giulio Cesare demonstrated his vocal flexibility. The program closed with some Cole Porter, giving full rein to the artist’s 20th Century sensibility.
As encore, he offered Schubert’s “An Die Musik” which perfectly summed up the evening for this music lover, who left feeling totally satisfied and hoping to hear more from this young (but mature beyond his years) artist.
--Meche Kroop for The Opera Insider
1 year ago
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